I didn’t try the other codecs, but I imagine it’s very fast regardless of the codec you’re using.Īnd now, without further ado, the results. While a clip that’s been encoded with EditReady has the same picture quality as a clip encoded with Squeeze, Compressor or Episode - at least, I couldn’t tell the difference - it does differ dramatically in the area of encoding speed to ProRes. I suppose I don’t need to explain the benefits of having a fully customisable RGB parade, vectorscope, waveform, YCbCr parade, histogram, channel plot, HML balance, audio meter, surround meter and a BIG timecode window at your disposal before you start encoding. in realtime, as if you were in your NLE. With ScopeBox you can view a clip’s colour balance, audio performance, etc. In addition, EditReady has another trump card up its sleeve if the above doesn’t convince you: it integrates seamlessly with ScopeBox 3.5.1, which I am about to review. In short, EditReady has become a powerhouse in its own right and it touts using the original Apple ProRes codec in contrast to some of its competitors. It also offers advanced options for H.264 encoding. And there are options: applying a LUT, resizing the frame, adjusting the frame rate and removing unused audio tracks. to change audio encoding.ĮditReady 1.4 can join clips and separate clips if it finds them joined as well. It also rewraps with no transcoding being done and you can create your own custom encoder, e.g. It now encodes to DNxHD (Low/Medium/High and 444), ProRes 422 (Lt, Proxy, HQ and common), ProRes 444. The latest version also comes with strong features. First of all: it still is the best looking transcoding app besides Compressor 4.2.2. The encoding machine still is the iMac i5/3.2GHz from mid-2011 with 16GB RAM.īefore I give you the results, let me tell you a bit of my renewed experiences with EditReady. Clip length for the first was 01:58 and 00:44 for the second. Frame resolution was set at UHD in both cases. I decided to try them all with a GoPro HERO4 UHD clip and the results sort of surprised me. I have them on my machine and they’re industrial workhorses so why would I choose something else? Speed could be a significant factor and quality of output of course. Since then I’ve only used Squeeze and Episode. It’s been a while since EditReady was first released. EditReady's unique color pipeline simplifies this process, translating everything to what it should be.EditReady, Compressor 4.2.2, Episode 7 Pro or Squeeze Desktop 10 Pro? Or something completely different? When mixing camera formats, one will inevitably end up with different color spaces, Log types, HDR formats, and LUTs. It uses each vendor's specific RAW decoder and the vendor-preferred Log format to ensure high-quality proxies that are easy to edit and maintain the flexibility of non-RAW formats.ĮditReady also comes with Color Awareness, its ability to mix and match different types of footage without loss of quality. When dealing with RAW, EditReady will do all the heavy lifting. Plus, users can view and edit all the metadata associated with files, which is helpful for automatically renaming files or burning data into overlays. How’s the transcode quality?ĮditReady uses each manufacturer's original SDK as part of its True Codec Support, so it guarantees the best quality transcodes-no unofficial frameworks or hacks. This brings a fresh new approach to the transcoding landscape. Versatility and Speed: With EditReady Server, you'll experience the same adaptability, compatibility, color management, and speed that is available in the original EditReady.Command line tools are at your disposal, simplifying the way you work. Headless Operation: No need to wrestle with setting up workflows through a GUI.Seamless Integration: EditReady Server easily fits into your existing workflows and pipelines, smoothing out the post-production process.This translates into a few key wins for its users: What’s the difference between EditReady and EditReady Server?ĮditReady Server is a streamlined version of EditReady that presents the solution in an accessible command-line interface.ĮditReady Server is a transcoder application that supports all major RAW codecs, complete with color management and automation. This means getting footage from the camera to into a NLE in record time. * Note that this integration is for EditReady Server and currently only supports transcoding on Apple macOS.ĮditReady is not only incredibly fast and precise but also optimized for both old and new Macs, taking full advantage of Apple silicon and GPU acceleration. By simply connecting a camera to an on-premise storage watched by the ISG, files will be transcoded and indexed in iconik. Iconik users can now easily transcode footage from an ISG for web previews and edit proxies. Photo by Zachary Vessels | Pexels So what does this integration mean for iconik users?
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